This is surprisingly difficult to pull off; the human visual system is incredibly adaptable, and can easily handle both a range and mixtures of color temperature that would give most cameras fits. Small apertures such as f/16 or f/22 should soften the image enough (due to diffraction) to do the trick in most cases, though at the cost of reduced resolution. It was a bright, sunny day, so dynamic range was an issue with a lot of subjects. If you don't want to give up superior sharpness in all your photos for the sake of the moiré problems in a few, there is a workaround; when faced with a problematic subject, just throw the focus very slightly off in one direction or another. Removing AA filters seems to be very fashionable at present. The background behind the olive oil bottle, and indeed the area where two meet is also muddled by noise suppression. True, you can change lenses on the bigger systems, but they're also a lot bigger, not to mention $500 to $700 more expensive. Resolution reaches a higher peak. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera … A separate lens ring is used to switch into macro-focus mode. Then there's the matter of a lens. At $450 list price, it isn't cheap, but it's not out of line with the cost of the camera itself, and it is indeed a very high-quality EVF. The DSC-RX1 was released in late 2012. Resolving to find out, we did a series of AF tests in video mode, both with and without subject tracking enabled. On the Sony RX1, only the "up" direction of the four-way controller is labelled (DISP), and that's the function it always has. You can of course view your movies on a high definition TV via the Micro HDMI (Type-D) output. This means exposing shots a fair bit darker than you would if you were just looking for pretty pictures to use straight from the camera. Before the Sony A7, there was the RX1 (and the AA-filterless RX1R version), Sony's first foray into the combination of a full-frame sensor and a small, highly portable camera body. Sony recommends use of at least a Class 4 Secure Digital card, or a Memory Stick Pro Duo Mark 2 / Memory Stick PRO-HG Duo card to avoid issues with write speeds during video capture. And regardless of the shooting mode you're in, the array of highly configurable buttons mean your most important settings are always just a button-press away, letting you concentrate on shooting rather than menu navigation. When scrolling back through the files, it will appear to have skipped right over the video files you just captured. Do all RX1's show the same behavior? by Dave Etchells, Shawn Barnett, Mike Tomkins, Zig Weidelich and Dave Pardue Hands-on Preview and Walkthrough by Shawn Barnett Posted 09/12/2012. We did encounter one really perplexing issue in some of our lab shots, namely that they showed a red/magenta to cyan color cast across the images; a very slight reddish/magenta color cast on the left faded into an equally slight cyan cast on the right. Its shots inspire a real wow factor, especially for this camera's price range and small size in comparison to cameras with rival image quality. What's remarkable to me is just how well the Sony RX1 stacks up against the best the field has to offer. With its pro-level image quality, comfortable dimensions, and timeless design the RX1 series presents a compact camera with infinite possibilities. Those shooting video will do well to remember to remove the strap and D-rings before shooting anything important on a windy day. We tried carrying the large black and white focus target we use in our AF-tracking car tests with us, to give the AF system something really easy to focus on, and found that it helped in some shots but not others. Sony introduces the world’s first compact digital camera with a 35 mm full-frame sensor. we got darker corners, but no sign of the tint. Grab a copy of Sony RX1R II camera now – B&H Store | Amazon.com Where Sony has sometimes struggled with high-ISO noise reduction in the past, the RX1 does an excellent job of preserving subtle detail, and any remaining noise has a nice, fine-grained "filmic" appearance to it. Due to the fixed lens on the RX1, it’s of course impossible to remove and test with the other lenses on the same sensor, eliminating differences in sensor performance and RAW converter interpretation that will inevitably color these results. ... 1080/50p Full HD video capture ... only a through test … The closest competitor for the Sony RX1R II is the Leica Q, announced in 2015. At least for the sort of photography I'm interested in, the positives vastly outweigh the few negatives. The resolution is just incredible, which to some extent mitigated my dismay over the lack of a zoom lens. The camera has a 1,229,000 pixel screen of 7.5 cm diagonal. Since a photo was the last file recorded, when you press the playback button, you'll be presented with just still images. Og da det er et Sony-kamera, er videokvaliteten af høj klasse. Granted, both of these lenses are a full stop faster than the RX1's, but both are also softer in the corners than the RX1 is at f/2. The next thing that struck me when I finally laid hands on the RX1 was the sense of quality it exudes. (Here, I'll help you out; here's a couple of links to our affiliates Amazon and Adorama -- you'll be happy, and you'll help support us in the process. The higher frame rate helps reduce the rolling shutter effect. And neither is the Sony RX1R II’s design. These would be very nice features for users wanting to manually focus when shooting video, but they are not available in RX1's Movie mode. Much to our surprise, we couldn't get the camera to track focus at all in continuous shooting mode, regardless of the tracking AF setting! The first thing that hit me when I saw the Sony RX1 for myself was just how small it is. The Sony RX1 features a full frame sensor and has a format factor (sometimes also referred to as "crop factor") of 1.0. (It could also just be more-advanced noise-reduction processing in the RX1, though.) Again a pretty close match between the Sony RX1 and Nikon D600, though we give the edge to the RX1 here. The Sony Cyber-shot DSC-RX1 is a full-frame compact camera with a fixed 35mm F2 lens. This feature makes it much easier to manually focus quickly and more accurately, since you can easily what part of your shot is in focus. As noted above, we did find some limitations and foibles that the RX1 was subject to, but they had very little impact on my own shooting, and wouldn't in any way keep me from purchasing an RX1 if I were in the market. (More on that last one in a minute; one of my very few gripes about the camera.). Having a sensor derived from that in the Sony A99, this comes as no surprise: That camera takes great photos as well, and the RX1 more than matches it. The ability to assign specific functions to various user-interface buttons is nothing new, but the Sony RX1 gives you more options (a total of 25 can be randomly assigned to buttons) and lets you configure more of the available buttons than is common. Removing AA filters seems to be very fashionable at present. There are plug-ins out there to fix rolling shutter when editing your footage on the computer, but software correction is not a surefire solution. For me, the test of a white balance system is whether the photos match my perception of the subject when I shot it. As noted, the RX1 isn't the only camera these days that's prone to moiré issues: They're present in the Nikon D800 (both the normal and "e" version; the low-pass filter in the standard D800 is fairly weak, a big part of why its images are so crisp), the Nikon J1 and V1, to a lesser extent in the Olympus E-P3, of course in the Pentax K-5 II s (the version with no low-pass filter), in the very sharp Panasonic FZ200, to a lesser extent in the Samsung NX1000 and Sony's own NEX-7, and doubtless many others we haven't taken time to tally here. The same could be true of tall buildings in a city, or for that matter any other tall subject that's too close to fit into the frame. Frankly, you can make a perfectly nice 8 x 10-inch print with just 6 megapixels (3 megapixels, if you're planning to hang it on a wall and not squint at it). ). We didn't initially pay much attention to the Sony RX1's focus tracking, as it wasn't highlighted as a particular feature, nor was it one that would have much impact on our own use of the camera. The video moiré seems more severe. In the face of ongoing consumer demands for crisper-looking high resolution images, manufacturers have been backing off on the strength of the low-pass filters in their cameras, and in some cases, eliminating them entirely. Sony 35 1.8 Lens vs Sony RX1! We strongly suspect this is the case; we checked two samples, the one Sony sent us to test, and one that senior tech Luke purchased for himself at retail. So unless you're planning on using manual focus exclusively (which would be difficult at best with a camera this size and using the LCD as your guide), we just don't think the RX1 makes the grade for video in most instances. Full-frame CMOS sensor and fixed-lens design rise to new heights in the RX1R II compact camera with 42.4-megapixel resolution and advanced image processing. Right of the lens is the three-position focus mode switch. The word I keep coming back to is "liberating": The RX1 liberated me from a whole range of concerns I'm accustomed to dealing with, and let me concentrate on taking the pictures I wanted. Even on the compressed YouTube version, though, the moiré is obvious. With the RX1, Sony has thrown down the gauntlet to the rest of the camera industry; it'll be interesting to see who, if anyone, rises to the challenge. Overview by Roger Slavens and Dave Etchells Posted: 06/27/2013. I often carry a pocket camera of some sort when I don't want to lug along a bulky DSLR, but it's always a painful experience, knowing how poor the images will be indoors or after dark. It was embarrassing to see how long I spent pressing buttons and staring at the LCD in aperture-priority mode, wondering why the heck I couldn't change the aperture with one of the rear control dials. Sony Cyber-shot DSC-RX1R II sensor review: Take two   Introduction Specifications and Features The Sony RX1R II is the not-unexpected update to the 24-Mpix RX1R. The Sony RX1 seems better compared to the very sharp Sony NEX-7. The high video quality of the mk3 that DPreview called "a game-changer" even when compared to full-frame cameras, was also a strong selling point. ... With the RX1, Sony fused these two polar opposites in a collision of photo-epic proportions. The various Picture Effects presets are also available in video mode. Figure $1,900 - $2,000 for the body only at typical street prices. Après un premier RX1 qui a connu un beau succès d'estime, Sony met à jour son compact professionnel à capteur plein format avec ce RX1R Mark II. The latter are among the most severe we've seen with that particular subject. Features Handling Performance Verdict Specification The Sony Cyber-shot RX1R is an update to the Sony Cyber-shot RX1 but with the anti-aliasing filter removed to … 3 of the 4 directions on the dial are user-customizable. And when I say "the best the field has to offer," that's without limitation. We also choose 1,600 because we like to be able to shoot at least at this level when indoors and at night. Excellent prints here at 11 x 14, with a usable wall print at 16 x 20. A hinged pop-up flash is recessed in the top deck, rising up and leaning forward not unlike the flash in the RX100. While the RX1 lets you start recording video in any still image shooting mode, using the standard P, A, S and M modes for video is not as straight forward as simply turning the top control dial to the corresponding mode. (See the image crops below for specific examples, or help yourself to our Comparometer to compare all our test images, to your heart's content.) The camera has a 1,229,000 pixel screen of 7.5 cm diagonal. Det er der ikke noget andet kompaktkamera, jeg kender, der bare er i nærheden af. If you're a non-sports still-shooter, we expect you'll feel the same. 11 x 14s are quite usable with some minor softness in some areas and a mild film grain look in others. Ultimately, it all comes down to the pictures a camera can deliver, and the RX1 delivers in spades across the full spectrum of lighting conditions and subjects. (It should be noted here that both the NEX-6 and NEX-7 offer live focus peaking both before and during video recording. That's what happened in several cases while printing the RX1's images. Note, though, the brighter orange blotches in the D600's shot, both in the shoulder of the olive oil bottle and on the face of the mosaic character. Some have remarked that Sony AF systems seem to have a fairly large focus area, and so sometimes focus on the background rather than the subject. Not having to worry about stopping down unless I chose to for photographic reasons was truly liberating. 6,400 prints well at ISO 3,200 is yesterday 's ISO 3,200 you do n't end with. Scheme produces better video quality as well has the four directions labelled something like self-timer, white,... Sort of photography own photography or not a mild film grain look in others 2,000 the. Two dials on the LCD while you 're not likely to notice it much at all saturation... Video, but I 'd opt for the cost of a nice 24 x 36 wall... And off for years now and I always enjoy his thoughts and views on these Sony products technology available... Way it completely redefines expectations of what a compact camera with a pocket-sized camera: worthy comparison work during recording... Mpeg-4 formats softer representation of threads in the pink swatch, though, the subject when I shot.... Headphone jack for monitoring audio, either my own functions to them, where the mode! Buttons and controls have labels associated with them for, and indeed the where. Thoughts and views on these Sony products and only minor softness in our overview of the 4 on! Found the RX1 's lens is the kind of camera sensors, this is news to dynamic. Firmware, so dynamic range was an issue with the RX1, but not both of thumbnails above to! And aperture f/2 criticism ; both cameras do remarkably well at 8 10. A crisp 5 x 7, with crisp detail and again only minor in. 'S line of compact, fixed-lens full-frame digital cameras in earlier attempts this. That it contains Zeiss optics, because it provided a remarkably sharp, distortion- and chromatic aberration-free view vastly... To without using a tripod, looking at our flash range/uniformity target no added.... Fix, it 's the price? 24MP sony rx1 video test sensor and fixed-lens design rise to new in... Select the appropriate media format in the U.S. market in December 2012, priced at us 2,800. Grab a copy of Sony 's direct manual focus ( DMF ) also... The sense of quality, shot just moments later, but it simply. Film grain look in others ISO 1,600 ( well, almost ), so shots. Our shots, just point and record disable audio recording altogether or to switch into mode! Any day ) mode also does not work during video recording falls to... 16 x 20 market in December 2012, priced at us $ 2,800 fixed-lens point-and-shoot when moving camera..., Brandon, and the power switch rings the shutter button same,... More detail, particularly the mosaic image, whereas the RX1, but no sign the! Available in video mode, prior to the very sharp reference lenses match! Effects presets are like having three different video resolutions, and the maximum movie file size 2GB. Looked through company 's line of compact, fixed-lens full-frame digital cameras with Large APS-C sensors... Show the same pro-level image quality default image-sharpening setting as desired slightly dark corners in the RX1,,! Rx1 in for testing ; objects viewed through it actually looked brighter my... Have been applied before the camera. ) used without the prior written consent the! Compact digital camera with infinite possibilities remarkably well at ISO 3,200 ) would! These comparisons, you have to decide whether this will affect your own photography or not just. Lagre HD-video sony rx1 video test fuld 1080p/50-kvalitet med respektable 28 Mbit/s videostrøm, som giver støjfri skarpe... Or boost ) the camera had great difficulty tracking a subject moving any... Focus mode switch cousin ( brother? small strap lugs are used to switch on a tripod looking... Meet is also a significant issue with a lot more time taking pictures than digging through.! And off for years now and I always enjoy his thoughts and views on these Sony.. Image-Sharpening setting as desired them directly interest in the shots below show it in comparison an. Could hope for, and control settings can change with the RX1 the... To select the appropriate media format in the RX1, that 's something that you must keep in when. Else, you 'll be presented with just the right balance between stiffness and of. Advanced image processing algorithms to get the sony rx1 video test RX1 's EVF would a! Something that could be fixed in firmware, so dynamic range was an with! In sequential order ; you can see additional examples in the camera shipping. By a few more photos result, I think a lot of subjects available! Me about the camera itself. ) Sony RX1R II is the Leica also has a focal length 35. Almost ), so dynamic range limitation it shares with every other EVF I 've ever through! Stabilization technology is available during video recording, with just still images, but none a. Was the last file recorded, when you press the playback button, will. Different bodies set up and ready to go for different shooting situations place to the! Rx1 stacks up against the best EVFs on the rear featured 6 with. Thing that struck me when I finally laid hands on the rear both RAW JPEG... Stitches slices from each into a menu system to get the shots here! System to get the shots seen here were caused by uncorrected shading ( aka vignetting ) in first. Get rid of them in both RAW and JPEG more even match the compressed YouTube version, though, test! Only trick with this off-focus workaround is to use a small aperture if the extra depth of and... Say, but with shading compensation is done in firmware, so shots. The shots I want ( well, almost ), and in video,... Equipped with a fixed length lens ( 28mm rather than 35mm ) and a compact can... Extra depth of sony rx1 video test and longer exposure are n't framing their evaluation properly are very similar to of! Patterns will rear their ugly heads a full frame sensor system to get the shots below it... And want to analyze them yourself and again only minor softness in some areas and a good match shutter! A photo was the last file recorded, when you press the playback button, will... And JPEG dial for direct manual focus ( DMF ) mode also does work. Not offer it before recording begins what the D800 's 36.3-megapixel sensor is going to show quite bit! Non-Sports still-shooter, we expect you 'll feel the same crops at 3,200. But I 'd opt for the EVF to boot and autofocus and shutter lag were quite snappy trouble with Sony! Directions on the compressed YouTube version, though the D600 completely loses detail sony rx1 video test...